Principles of Music Composing. Musical Archetypes
April 23
Composers’ House, A. Mickevičiaus 29
10.00 Opening
10.15 First session
Conceptions and Definitions of Archetype (Outlooks, Sources and Development)
Pavel Puscas (Academy of Music, Cluj, Romania)
Symbolic Connotations of the Tonalities - are these Archetypes?
Mart Humal (Estonian Academy of Music and Theatre)
The Voice-leading Matrix as an Archetype of Tonal Counterpoint
12.00-12.30 Break
Igor Vorobyov (St. Petersburg Conservatory, Russia)
The Avant-garde as a Prototype of Totalitarian Art. Sketches towards the History of the Musical and Non-Musical Avant-garde
Mantautas Krukauskas (Lithuanian Academy of Music and Theatre)
Musical Archetype as a Core of Concentrated Information
April 24
Composers’ House, A. Mickevičiaus 29
10.00 Second session
Archetypes and a national identity of music. Ethnomusical archetypes
Pavel Puscas (Academy of Music, Cluj, Romania)
Archetype, Anarchetype and Eschatype in the Dynamics of Musical Style
Daiva Vyčinienė (Lithuanian Academy of Music and Theatre)
The Archetypical Structure of Lithuanian Folklore Rhythms: From Sutartinės to Feasting Songs
11.30-12.00 Break
Kalliopi Stiga (University of Athens, Greece)
Musical Archetypes and the ‘Greek Musical Character’ Through the Time
Rimantas Astrauskas (Lithuanian Academy of Music and Theatre)
Archetypes in Lithuanian Traditional Music: Intoning Aspect
16.00
M. K. Čiurlionis’ House, Savičiaus 11
Rimantas Janeliauskas (Lithuanian Academy of Music and Theatre)
The Insight into the Archaic-Binary Archetype of M. K. Čiurlionis‘ Unrecognized Cycle
M. K. Čiurlionis. Unrecognized cycle (first performance)
Halina Radvilaitė (piano)
April 25
Composers’ House, A. Mickevičiaus 29
10.00 Third session
Manifestation of archetypes in composing practice of contemporary music (20th–21st.c.)
Margarita Katunyan (Moscow conservatory, Russia)
Structural Archetypes in Composition: Monteverdi, Mozart, Martynov
Gražina Daunoravičienė (Lithuanian Academy of Music and Theatre)
The Verbal Text as a Compositional Prototype and Inspiration: “Cum essem parvulus” by O. di Lasso and R. Mažulis
Elvio Cipollone (University of Strasbourg, France)
The Sound of Silence
11.30-12.00 Break
Ewa Kowalska-Zajac (Academy of Music, Łódź, Poland)
The 20th Century Polish Composers Towards the String Quartet Archetype
Gaël Tissot (University of Toulouse, France)
François Bayle's Music : Archetypes and Visual Thinking
13.30 Discussions
Posters:
Rimantas Janeliauskas (Lithuanian Academy of Music and Theatre)
Common Means of Composition in Archaic and Antique Music
Liduino Pitombeira (Paraíba Federal University, Brazil), Luciana Gifoni (Independent Researcher, Brazil)
Compositional Archetypes, National Identity and Geometric Symbolisms
Panayiotis Demopoulos (Greece)
Anonymity as a True Avant-garde Archetype
Bogumila Mika (University of Silesia, Poland)
Bogurodzica – as an Archetype for Polish Art Music of the 20th Century
Kostas Chardas (Aristotle University of Thessaloniki, Greece)
Old Ideas in New Contexts: the Presence and Reinterpretation of Archetypes in 20th Century European Music
Linas Balčiūnas (Vilnius Jesuit Gymnasium, Lithuania)
Relations Between Archetipes and Stereotipes in the Field of Music Composition Practice
