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EVENTS

2008-04-23 -- 2008-04-25

8TH INTERNATIONAL MUSIC THEORY CONFERENCE


Principles of Music Composing. Musical Archetypes

 

 

April 23

Composers’ House, A. Mickevičiaus 29

 

10.00 Opening

10.15 First session

 

Conceptions and Definitions of Archetype (Outlooks, Sources and Development)

 

Pavel Puscas (Academy of Music, Cluj, Romania)

Symbolic Connotations of the Tonalities - are these Archetypes?

 

Mart Humal (Estonian Academy of Music and Theatre)

The Voice-leading Matrix as an Archetype of Tonal Counterpoint

 

 

12.00-12.30 Break

 

 

Igor Vorobyov (St. Petersburg Conservatory, Russia)

The Avant-garde as a Prototype of Totalitarian Art. Sketches towards the History of the Musical and Non-Musical Avant-garde

 

Mantautas Krukauskas (Lithuanian Academy of Music and Theatre)

Musical Archetype as a Core of Concentrated Information

 

 

 

April 24

Composers’ House, A. Mickevičiaus 29

 

10.00 Second session

 

Archetypes and a national identity of music. Ethnomusical archetypes

 

Pavel Puscas (Academy of Music, Cluj, Romania)

Archetype, Anarchetype and Eschatype in the Dynamics of Musical Style

 

Daiva Vyčinienė (Lithuanian Academy of Music and Theatre)

The Archetypical Structure of Lithuanian Folklore Rhythms:  From Sutartinės to Feasting Songs

 

 

11.30-12.00 Break

 

 

Kalliopi Stiga (University of Athens, Greece)

Musical Archetypes and the ‘Greek Musical Character’ Through the Time

 

Rimantas Astrauskas (Lithuanian Academy of Music and Theatre)

Archetypes in Lithuanian Traditional Music: Intoning Aspect

 

 

16.00

M. K. Čiurlionis’ House, Savičiaus 11

 

Rimantas Janeliauskas (Lithuanian Academy of Music and Theatre)

The Insight into the Archaic-Binary Archetype of M. K. Čiurlionis‘ Unrecognized Cycle

 

M. K. Čiurlionis. Unrecognized cycle (first performance)

Halina Radvilaitė (piano)

         

 

 

April 25

Composers’ House, A. Mickevičiaus 29

 

10.00 Third session

 

Manifestation of archetypes in composing practice of contemporary music (20th–21st.c.)

 

Margarita Katunyan (Moscow conservatory, Russia)

Structural Archetypes in Composition: Monteverdi, Mozart, Martynov

 

Gražina Daunoravičienė (Lithuanian Academy of Music and Theatre)

The Verbal Text as a Compositional Prototype and Inspiration: “Cum essem parvulus” by O. di Lasso and R. Mažulis

 

Elvio Cipollone (University of Strasbourg, France)

The Sound of Silence

 

 

11.30-12.00 Break

 

 

Ewa Kowalska-Zajac (Academy of Music, Łódź, Poland)

The 20th Century Polish Composers Towards the String Quartet Archetype

 

Gaël Tissot (University of Toulouse, France)

François Bayle's Music : Archetypes and Visual Thinking

 

 

13.30 Discussions

 

 

 

Posters:

 

Rimantas Janeliauskas (Lithuanian Academy of Music and Theatre)

Common Means of Composition in Archaic and Antique Music

 

Liduino Pitombeira (Paraíba Federal University, Brazil), Luciana Gifoni (Independent Researcher, Brazil)

Compositional Archetypes, National Identity and Geometric Symbolisms

 

Panayiotis Demopoulos (Greece) 

Anonymity as a True Avant-garde Archetype

 

Bogumila Mika (University of Silesia, Poland)

Bogurodzica – as an Archetype for Polish Art Music of the 20th Century

 

Kostas Chardas (Aristotle University of Thessaloniki, Greece)

Old Ideas in New Contexts: the Presence and Reinterpretation of Archetypes in 20th Century European Music

 

Linas Balčiūnas (Vilnius Jesuit Gymnasium, Lithuania)

Relations Between Archetipes and Stereotipes in the Field of Music Composition Practice

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