The works of Orlandas Narušis, christened a ‘sound architect’ are being meticulously crafted since 2002, and are rooted in an audiovisual art framework. His (post)minimalist approach to music is reflected not just in his hypnotic and spacious live performances, but also in the number of such shows. Narušis seldom performs; nevertheless, his creative biography is filled with recording ventures that he himself refers to as ‘sound projects’ and that in their aesthetic bear resemblance to the
glitch,
noise and
microsound music. They tend to be scrutinized to the core, conceptually relevant, open to the interpretation of the listener, and at the same time they share a common objective to discover and add mystery to the unconventional world of sounds. Together with other postminimalist electronic music composers his over-a-decade-long creative output shapes the new Lithuanian scenery of experimental sound.
