Follow us on:
Lietuviškai
LATGA-A | IAMIC 
 
   
  Home > Classical / Contemporary > Composers
 
 
Classical / Contemporary
  Composers
  Search Works
  Published scores
  Releases
  LMIPC Library
  Lithuanian Music Link
  WNMM No. 18
  Contacts
Jazz
Folk / World / Country
Pop / Rock / Urban
Electronic
Oldies

How to get to us

Rytis Mažulis

Biography

Rytis Mažulis (b.1961) graduated from the Lithuanian Academy of Music (1983), the class of composition under Julius Juzeliūnas. In 1988 he was honoured with the prize "Tyla" (Silence) for the chamber composition "The Sleep", in 1989 - the prize of the Lithuanian Culture Fund for chamber and vocal music. The composer received the scholarship of the Akademie Schloss Solitude, Stuttgart, for the period from September 1998 to April 1999. Rytis Mažulis was twice awarded the prize for the best vocal composition ("ajapajapam", 2002; "Form Is Emptiness", 2006) at the competition organized by the Lithuanian Composers' Union. In 2004 he was awarded the Lithuanian National Prize. In 2006-14 Rytis Mažulis was Head of the Composition Department of the Lithuanian Academy of Music and Theatre.

Works by Mažulis are constantly performed at various festivals: Nyyd (Tallinn, 1991), Musikhøst (Odense, 1992), Deutschlandfunk (Cologne, 1992), Prague Spring (1995), Norrtelje Chamber Music Festival (1995), De Suite Muziekweek (Amsterdam, 1995), Minimalisms (Berlin, 1998), Klang Raum (Stuttgart, 1998), 53. Arbeitstagung von Institut für neue Musik und Musikerziehung (Darmstadt, 1999), MaerzMusik (Berlin, 2003), Melos-Ethos (Bratislava, 2005), Huddersfield Contemporary Music Festival (2006, 2007), Images Sonores (Liege, 2007), ISCM World Music Days (Vilnius, 2008), as well as at concerts in Warsaw, Gdansk, Düsseldorf, Akademie Schloss Solitude in Stuttgart (1994, 1999), Queen Elizabeth Hall in London (1995).

Rytis Mažulis' works are marked by a particular stylistic purity, the integrity and symmetry of a musical texture based on a counterpoint (mostly canon) technique as well as by concentric forms. Such directions of his oeuvre naturally demand appropriate instrumentation to achieve homogeneous and "crystal-clear" sound. Rytis Mažulis, therefore, writes music mostly for ensembles of equal voices or keyboard instruments; such pieces are performed live or are realized with computer, treating it as a kind of "super-piano". In some of his works the composer uses specific possibilities of computer, which are inaccessible when performing the music with conventional instruments.

For example, in the composition "Palindrome" one can hear micro-chromatic gradations of pitch (quarter-tones and thinner) and non-standard divisions of rhythmic values, or a simultaneous pulsation of different tempos. And his "Clavier of Pure Reason" cannot be performed live as well, due to the fact that only at least a 24-piano ensemble would be able to perform this. These opuses not only reflect the tendencies of stylistical purity and compositional integrity, but also show that it is possible to express a subtle humour in pure musical forms, without any allusions to other arts and reality.

Introduction
Biography
Works:
Publications
Releases
Texts
Photos
LMIPC Library:
© Lithuanian Music Information and Publishing Centre, A. Mickevičiaus 29, 08117 Vilnius, ph: +370 5 272 69 86. E-mail your questions / comments to info@mic.lt
All texts, photographs, logos, music and artwork are protected by copyright laws. They are free for promotional use but when referring to the materials please mention the author and source whenever it is known. When not specified, the source is the Lithuanian Music Information and Publishing Centre (LMIPC).