Vytautas Laurušas (b.1930) graduated from the Lithuanian Conservatory (present Lithuanian Academy of Music) in composition under Prof. Julius Juzeliūnas in 1956. In 1963-75 he held the position of the artistic and administrative director of the Lithuanian Opera and Ballet Theatre. In 1971-83 he was a chairman of the Lithuanian Composers' Union. In 1983-94 - the rector of the Lithuanian Academy of Music. Since 1994 he has been a Professor at the Composition Department of the Lithuanian Academy of Music, and since 1996 - a chairman of the Music Fund ot the Lithuanian Composers' Union. He was awarded the second prize at the Moscow Competition of Scenic Music for his opera 'Stray Birds' in 1988 and the Lithuanian State Prize in 1980. In 2003 Vytautas Laurušas was honoured with the Lithuanian Grand Duke Gediminas Officers Cross Order and the Lithuanian Government Award; in 2005 he became a laureate of the Lithuanian National Award. His music has been performed at various festivals and other events in Lithuania and abroad, such as Gaida (Vilnius, 1994, 1995, 1996, 1999, 2001, 2002, 2003, 2006, 2009), Marių klavyrai (portrait concert, Klaipėda, 1997), Making Music Together (portrait concert, Boston, 1988), Lithuanian Music Days in Munich (1988), Edinburgh Festival (1988), Karaganda Festival (1989).
The creative career of Vytautas Laurušas could be divided into three periods. The first period stretches from 1956 to 1969. Works of this period are written in a traditional late romanticist style. The second period begins with the Voices of the Night (1969) and fully forms in the Sonata for violin solo (1977). This period spans over several decades and is characterized by the use of newer compositional techniques - dodecaphony, aleatoric, sonoristic composition. The third period become distinctive during the last decade of the 20th century. This period synthesizes the first two styles. Here the composer views the musical tradition from a new angle. However, what unite all three creative periods - it is the expressiveness, emotional intensity, and contrasts of his music. 'In the creative work I am drawn to dramatic tension, tragic collisions, and sharp conflicts', Laurušas says. Contrasting musical worlds in his works are marked with some theatrical gestures, are often closely related to specific images and experiences.
